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Leticia Marie Holtz dressing a set

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Tell me what you're making.

Narrative or commercial, at any scale — a single dressed room, a full build, or props that need fabricating from nothing.

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If there's a script or a deck, send it along. If there isn't one yet, describe the thing and I'll tell you what it would take.

I read everything that comes in and answer the ones I can take on.

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Gallery

Leticia Marie Holtz leaning over a cinema camera on a tripod, one arm extended to block a shot across a dressed living room with deep green walls, a stained-glass window, a framed sunflower print and rust velvet curtains — Fig. 01 — blocking a shot in the dressed living room

Leticia Marie Holtz seated at a dining table cutting into a fabric swatch book, rolls of wallpaper and textile samples stacked beside her, monstera leaves and a diamond-pane stained-glass window behind — Fig. 02 — pulling fabric and wallpaper for a room

Leticia Marie Holtz holding a length of wallpaper against a hallway wall in low evening light, checking the colour beside a brass bulb sconce, two small framed prints and a leaded stained-glass window — Fig. 03 — testing a wallpaper drop against the wall

Leticia Marie Holtz standing behind a round worktable of hand tools in a half-finished room, pale blue wainscot panelling taped out on the wall behind her and a circular saw on the bare wood floor — Fig. 04 — mid-build, panelling taped out

Leticia Marie Holtz painting the muntins of a tall multi-pane window by hand, brush in one hand and the other steadying the frame, in a bright room with freshly taped panelling — Fig. 05 — hand-painting the window trim

Leticia Marie Holtz pausing over a worktable of miter boxes, a spirit level, a tape measure and a utility knife, folding her glasses as she reads the trim layout in front of a set of French doors — Fig. 06 — squaring up the trim layout